Friday, 29 January 2016

(EXPERIMENT) Lego/Smartphone Holographic Projector









This experiment was inspired by a participant in the interactive media unit at QCA. The goal was to create a holographic projector, using lego and a mobile phone.

To begin this project you will need the following:

-Thin Plastic (can just be old packaging)
- A ruler
-Tape (clear)
- An equilateral triangle to trace
- Scissors
- Permanent Marker 
- A screen (smartphone).
- Lego

step 1

Using a pen and a piece of graph paper, make the following rhombus shape and cut it out with scissors. The dimensions should be 1 x 3.5 x 6 cm.



step 3
placing the plastic ontop of the template mark and cutout this shape 4 times

























Step 3
Join these pieces together using clear tape, until it looks something like the pic below



step 4
Select a holographic specific video on your mobile phone and place the plastic ontop.


step 5
For this project I choose to create a base out of lego and have the screen facing downward (you dont need to do this for the project to work. BUT by doing it you will be able to use this in daylight. Otherwise you will need to dim the lights for it to work.

  

step 6
place your phone on top of this rig and play the holographic video and enjoy.



Thursday, 28 January 2016

C3 community parkland and walking track project beginning

Giving credit to my amazing wifes blog before I start as she posted most of this up first.
Community garden project beginnings CLICK HERE

General overview and Goals

The outcome for this project is to create a publicly and mobility challenged accessible parkland and walking tracks which are safe for the Kingscliff community. The parklands and walking tracks have two main focuses. Parklands will be best to families and the Kingscliff community to come as to allow younger children to play, relax and enjoy their surroundings. The walking tracks are intended to be a place of contemplation and sanctuary from the hustle and bustle of our busy daily life. Both areas will provide a sensory experience. The tracks will be focused on being disabled friendly with sculptured features located along the walk.


The church currently owns Lot 7 which is 7 acres of land which will be partially developed for this project as well as 24 – 30 sand street Kingscliff ( refer to section V for more details). Currently the church building is situated on 24 – 26 sand street with a basic parking lot on 28 – 30 sand street.

The project will consist of:
One acre of Parklands
Vegetable gardens
2x picnic table areas
Four acres of native bushland walking tracks
One carpark with reserved disabled and pram parking
One fenced children's play area

Site and Physical Planning

Parklands
The parklands will be established in the first acre of lot 7, located behind the current C3 kingscliff church. The parklands will be predominantly a slopped open grass area, with large, timber edged garden beds. The garden beds will be filled primarily with native flowers and selected exotics to provide ground coverage. In the northern end of the parklands community vegitable gardens will be established
The intention is to:
create 4 large garden bed ( 20 feet by 4 feet each), providing a barrier between the grass of the parklands and treeline of the walking tracks.
2 sets of picnic tables
one vegetable garden
access way to walking tracks

Picnic tables and vegetable garden
The picnic table areas and vegetable gardens are located inside the Parklands. The two picnic tables will overlook the parklands on two levelled sites. The vegetable gardens will be located to the north of the parklands on a site that was previously used for horticulture. At the end of the vegetable garden there will be 3(three) compost/green waste bays.





This project is starting as a blank canvas. Look below to see the current progress



Before:
A pretty field of weeds and these lovely pink flowers in the foreground. 
And trees. Lots and lots of trees.


Before:
Surveying the main areas we wanted clearing.


Before:
Dense and unkempt- but not for long!


Pity the mower billowed smoke. Sorry environment and neighbours! Can only work with what you have on hand.


After:
Mowed! 


...and another shot. We can't wait to get stuck back into this project!

The first stage of the project that we began is the parklands, that consisted of:
Slashing and clearing the basic level of the weeds, in some places they were 1.6m deep. Jims Mowing (my brother in law) did the initial clearing. Then my wife and I raked up weeds, sticks, rocks and branches, throwing it all in the wheelbarrow, and dumping each load. The ride on mowing wasn't able to get too close to the ground in places, so that meant we worked quite hard doing our best to clear it out from years of neglect, fallen branches and sadly, rubbish dumping. 

With this done, and new mower blades, we are optimistic that the next run through will not be as  difficult. 

The next stage will be contacting the councils environmental officer to discuss removal of several trees, including the weed trees such as the Umbrella trees and those dropping branches. Removal of those trees will make the area safer and easier to maintain and for every tree we remove we will be planting three(3) to replace it along the walking tracks along with denser native trees that will offer shade and attract wildlife.  

Keep an eye out for more updates as this project progresses and I hope that this inspires you all to begin your own gigantic projects. 

Friday, 22 January 2016

How to paint a HEMA/fencing mask


First off, what is HEMA
"Historical European martial arts (HEMA) refers to martial arts of European origin, particularly using arts formerly practised, but having since died out or evolved into very different forms."

Now personally I feel that painting your sword fighting mask is a sign of commitment, once its done its unlikely that you will be able to sell it, unless your paint job is amazing and or has some kind of connection to the person buying it. For my mask I chose the design used on 'Obitos's combat mask from the Naruto shippuden TV series.

"TOBI is OBITO UCHIHA who disguise himself to be MADARA UCHIHA. (SPOILER ALERT!) Obito Uchiha was a member of Konohagakure's Uchiha clan. He was believed to have died during the Third Shinobi World War, his only surviving legacy being the Sharingan he gave to his team- mate, Kakashi Hatake."


It is obito's/tobi's striving to create a new and better world. And his level of commitment that drew me to this design. Obito used many masks throughout the series, but it is this mask that was designed purely for combat.
When choosing a design remember to aim for the highest contrast as this will hide your eyes the most effectively.

You will need:
Masking (paper) tape,
A sharp detailing knife,
A printed template of your design (approx. A4 size),
A can of good quality spray paint,
Cheap craft paints,
Small Sponge brushes,
Craft glue.

Step 1: cover the mask mesh in a few layers of masking tape

Step 2: use craft glue to glue your template onto the masking tape. The aim is to create a template for your base colour. For my design this involved making a template for the eyes, nose and moustache so that I could spray the red portions of the face.

Step 3: using your knife cut out your template. You want to cut through both the paper and the masking tape. Peel away the excess and leave only bare mesh for the places you want to spray.




Knowing that I was going to use white paint i took a negative photo before painting to see if the design would work

Step 4: cover up EVERYTHING that you don’t want to be sprayed. Especially around the neck and INSIDE the mask. Take out any inserts and line everything with paper and or plastic bags ( i found this better than cling wrap

Step 5: spray your mask. Use short light coats to prevent dripping, clogging and all manner of ugliness. You will want to do at least 4 coats from different angles.

Step 6: peel away your remaining template to reveal fresh black mesh in the area of your designs finer details.







Step 7: Now if you have finer details to put into the masked areas you can go ahead and using your sponge brush and your paints, lightly dab paint onto your detailed areas. Once again take care, light coats, many layers. For my design I did not need to.

 Well there you go, my mask is now complete and I can take it into training and tournaments



Monday, 18 January 2016

ARTWORK (Painting) The sower and caretaker

Tristan Griffin, The sower and caretaker, acrylic on board, 2014


I had a discussion with my senior pastor this week about our roles within the church and spiritual growth. We have both been struggling over the past few years with our roles and direction within our service at church. For him he has been transitioning from youth pastor to the senior pastor. His previous role required micro management, his current role requires him to let go of much of the resposibilities he had, and take up new ones. But this left him with the question, "what is my role". For me I have been pushed more and more into an evangelistic role, as an artist/creative coder by profession and as doors have opened up within the community through various events and projects. So the question stands for both of us. What are the spiritual/physical roles for my pastor and I within the church and our spiritual life.

Paul talks about the role of the evangelist and pastor in corinthians:

"each one of us does the work which the Lord gave him to do: I sowed the seed, Apollos watered the plant, but it was God who made the plant grow. The one who sows and the one who waters really does not matter. It is God who matters, because he makes the plant grow. " 1 corinthians 3 GNB

For my pastor his role is to nurture the spiritual growth of those around him. A mammoth task and one he is suited for.
For me I have been struggling with my role as I seem to be doing small tasks all over the place, I serve as a deacon, my wife and I run a free monthly picnic/bbq at the church,I do general repair work, stage design and I am an artists and creative coder who uses traditional and modern digital technologies to create christian artworks. But all these tasks lead to an evangelistic approach to my spiritual walk, to go out and plant those seeds. My heart is for connections and sharing knowledge within my church and the community. And I do this through actions, as I believe that a person belief is seen/expressed through their actions. 

Now ill just leave you with a final word about service within the church in general. There are many roles. And not everyone is going to be a pastor, deacon or worship leader. Dont take for granted the impact that you will have within your church and community with what you do

Offer yourselves as a living sacrifice to God, dedicated to his service and pleasing to him. This is the true worship that you should offer. Do not conform yourselves to the standards of this world, but let God transform you inwardly by a complete change of your mind. Then you will be able to know the will of God—what is good and is pleasing to him and is perfect.
And because of God's gracious gift to me I say to every one of you: Do not think of yourself more highly than you should. Instead, be modest in your thinking, and judge yourself according to the amount of faith that God has given you. We have many parts in the one body, and all these parts have different functions. In the same way, though we are many, we are one body in union with Christ, and we are all joined to each other as different parts of one body. So we are to use our different gifts in accordance with the grace that God has given us. If our gift is to speak God's message, we should do it according to the faith that we have; if it is to serve, we should serve; if it is to teach, we should teach; if it is to encourage others, we should do so. Whoever shares with others should do it generously; whoever has authority should work hard; whoever shows kindness to others should do it cheerfully.
Love must be completely sincere. Hate what is evil, hold on to what is good.10 Love one another warmly as Christians, and be eager to show respect for one another. 11 Work hard and do not be lazy. Serve the Lord with a heart full of devotion. 12 Let your hope keep you joyful, be patient in your troubles, and pray at all times. 13 Share your belongings with your needy fellow Christians, and open your homes to strangers. Romans 12 GNB

Monday, 11 January 2016

ARTWORK (Painting) flowers



Still life, Acrylic on canvas, 2012

This painting was donated to raise money for Tweed Sexual Assault - Hope blanket program for kids fund raiser, and is currently held in a private collection.

ARTWORK (painting) Rebirth

Acrylic on canvas paper

‘This means that anyone who belongs to Christ
has become a new person.
The old life is gone; a new life has begun!’
2 Corinthians 5:17 NLT


The butterfly has long been a Christian symbol of resurrection, for it disappears into a cocoon and appears dead, but emerges later far more beautiful and powerful than before.As a symbol of Christ's resurrection after three days in the grave, the butterfly is seen especially around Easter. But the butterfly is also a symbol of every Christian's rebirth in christ and shedding of the old self.  

 To be born again is to undergo a "spiritual rebirth", or a regeneration of the human spirit from the Holy Spirit. This is contrasted with the physical birth everyone experiences. 

Sunday, 10 January 2016

ARTWORK (drawing) Deep roots (sgraffito technique)



Pandanus, oil paint stick and enamel paint on snowden paper (2012)



Concept: Developing deep roots
There are few trees at the hastings point headland, most wither and die. There is little water, they are exposed to the scorching sun, and relentless winds. But the pandanus stands strong against their environment because its roots run deep.
Its important to think about this in our spiritual lives. When temptation is fierce.. the shallow believer is brought down. When the trials are overwhelming... the weak in faith crumble. When the questions are profound the weak are found without answers or find their faith shaken. Deep roots are needed in faith.
These roots can be developed by:

1. Read the Bible Daily. I think it is a good idea to read through a whole book of the Bible at a time. You don’t have to read it in one sitting . . . but if you read systematically you will be reading things in their proper context.

2. Sit under the teaching of Great Teachers. There are two thousand years of Believers who have gone before us, many of them have gained great insight into the Christian life.

3. Make Time for Daily Communication With God (Phil. 4:6,7)
Try to get alone with God at the same time every day

  • Try to be in the same location every day (it creates a special "sanctuary" in your life) 
  • Keep a record of your insights and requests. 
  • The mature Christian is a praying Christian. 

4. Discipline Yourself to Make Practical Application of the Truth (James 1:22)
Faith without works, is dead. Work at applying everything: the messages we hear, the books we read, the Scripture passages we study.

There are certainly other disciplines that help bring spiritual growth things like: worship, giving, service. If you begin with these few things you will see real spiritual depth begin to develop in your life.

Subject matter:Pandanus, a tropical tree or shrub with a twisted and branched stem, stilt roots, spiral tufts of long, narrow spiny leaves, and fibrous edible fruit.This particular tree was part of a series of field studies made at Hastings point, NSW australia.

Technique:
Sgraffito is a painting technique where the artist scratches into the top layer of the paint to reveal areas of the surface underneath.
This method is best suited for oil paint as the paint stay wet longer, but acrylic paint mixed with a retarder can also be used. This particular drawing was made by layering oil paint stick onto the paper (snowden paper has a similar surface to cardboard you find at a news agency). And then spraying the surface silver with enamel paint. An etching tool was then used to scratch away the paint to reveal the image




http://www.sermoncentral.com/sermons/the-importance-of-deep-roots-jim-parisi-sermon-on-growth-in-christ-57639.asp?Page=3

ARTWORK (painting) self portrait


Self portraits, acrylic on canvas 

The top portrait was inspired by Robert Hannaford's self portrait (below)

ARTWORK (Drawing) self portrait




Charcoal on paper, erasure

I really enjoyed working on this artwork , it is a continuation of the errasure technnique from last weeks greek bronze sculpture . The photo i based this self portrait on was before i had glasses , and i left my lazy eye in this image. The paper has also been "stressed" , in this case crosshatched with a screw driver and u can clearly see these marks on the left hand side of the face ( the photo doesnt do the image justice , it has a very eery look to it ) We were asked to remove something from the image , and i chose to remove the top of my head exposing my brain. I did this litterally at first but realised that it was just repulsive . I have been spending so many years concealing my mind and trying to "fit in" up until now , even at such a young age i hated my unique mind , one that enables me to think logically and creatively , I am perhaps beginning to accept who i truly am.

ARTWORK:(digital art) Depression

Digital artwork, 2012


In 2005 I had major health problems, multiple organ failure, and ended up spending years in and out of hospitals eventually leading to the doctors giving me 3 years to live. My marriage failed and my weight blew out of control ( I ended up weighting 130kg, I was 85kg). Needless to say I plummeted into depression. And it was a long way back from that darkness.

I tried various anti-depressants but found that they just dulled all my emotions. Yes they dulled my dark feelings, but they also dulled my joy. So I decided to stop taking them  ( DO THIS WITH MEDICAL SUPERVISION, anti-depressants can have some nasty side effects when coming off them  )   I chose to face the cause of my depression.
One day at a time.

I couldnt walk well due or drive a car to nerve damage in my leg and middle ear damage (which made the world spin constantly)
So my solution was to walk to the corner store each a day, which for me was a massive task, and increased that distance each day.
I couldnt eat most foods without it going straight though me or being thrown up. So i drastically changed my diet. I couldnt bend down to pick anything up, so I place a coin on the floor and each day tried to pick it up when i woke up in the morning.
I couldnt even hold a knife and fork without server shaking in my hands, so i worked on hand rotations (which aid in reducing tremmors ) and eventually card magic tricks. I made a conscious decision to tackle each issue and find a way of managing it. This included my emotion state as well, the only way to shift that is through having an attitude of gratitude, giving thanks for the things that you do have. And not dwelling on the things that you do not have.

It took years, but the long run these steps and more led to me being able to drive a car again.
Which led to me to being able to travel around australia.

For me, when i was at my lowest, i couldnt not see the light out. It was as though i was a the bottom of a deep well, surrounded by darkness with a tiny spec of light above me. And day by day I worked my way towards that light until I was free of that darkness.

While my health is still a struggle, I make the most what time I have. Ive remarried and have three wonderful children. I believe that god allows times of hardship so that you can grow from it. I know I have.   Never give up, god is always there for you.




My wonderfully eclectic family

ARTWORK:(painting) Fishing with purpose



Acrylic on canvas board

The first disciples that we read of Jesus calling were fishermen.  Fishing was an important trade during Biblical times.  It was obviously a food that was affordable for the common man and an industry that many were able to make a living at.  From the Bible we find that many methods still used today were incorporated back then, including the use of fishing boats, nets and in some cases even hooks and fishing line.  The fishing industry was continually referenced in the ministry of Jesus.  For instance, often Jesus taught from boats, which could have been fishing vessels (considering whom His apostles were)(Matthew 13:2; Mark 4:1, etc.).  Some of his parables and teaching made reference to the fishing trade.  When it came time to pay the temple tax, Jesus had Peter cast a hook into the sea and the first fish he caught had a shekel in its mouth (Matthew 17:27).  This industry was certainly one that Peter and other disciples were well familiar with.  And as He often did, Jesus used that familiarity to make a spiritual impact.  Mark 1:16-18 records, “And as He walked by the Sea of Galilee, He saw Simon and Andrew his brother casting a net into the sea; for they were fishermen. Then Jesus said to them, "Follow Me, and I will make you become fishers of men." They immediately left their nets and followed Him.”  What Jesus was calling upon Peter and Andrew, as well as James and John to do was put their fishing knowledge and skills to work for a much higher purpose – “catching men” (Luke 5:10).  
What made fishermen good candidates to do the work Jesus had for them to do?  What does fishing have to do with reaching the lost? A study of the above text and the art of fishing shows many comparisons.   Let us notice a few of them in this article.

First, it is a task for the common man.  Fishing was not a task exclusive to the intellectuals and elite of society.  I suspect that they were considered common folk back then just as they are today.  Their occupation was considered menial and unimpressive.  And just as today, many of them were probably unrefined and rough.  One observation made later about these men was that they were “uneducated” (Acts 4:13, 2:17).  When Jesus called men to follow Him, He was not interested in their social standing and refinement.  He was interested in their character.  The message He had prepared, like these fishermen was for all mankind, not just the elite few (cf. Matthew 11:25). 
In this, there is a great lesson for us.  Jesus expects us, ALL OF US, to catch men.  By example and teaching we find that we all have a responsibility to teach others.  The great commission was to “go into all the world and preach the gospel to every creature.” (Mark 16:15-16).  While the instructions were directed to the apostles as Jesus was about to ascend to heaven, it is obvious that to accomplish this, they would need the help of all believers.  They were to preach and teach and those who were taught would in turn commit the message to others.  Consider 2 Timothy 2:2 where Paul mentions four generations of teaching, “The things that you have heard from me (Paul to Timothy) among many witnesses, commit these to faithful men (Timothy’s students) who will be able to teach others also (their students).”  We must all be impressed with the responsibility we have to “catch men”.  As Christians, that IS our business!  Acts 8:4 records the persecuted disciples as they were scattered from Jerusalem, they “went everywhere preaching the word”.    In 1 Peter 3:15 we are told to “Sanctify the Lord God in your hearts and always be ready to give a defense to everyone who asks you a reason for the hope that is in you, with meekness and fear.”  Far too many want to sit back and leave all the teaching to “the experts”.  While there are times when we need to defer to those with experience, we must realize that if we always do that, we will NEVER gain the experience we ought to have.  What will happen to those who have abilities that they refuse to develop? Read and consider Matthew 25:14-30.  As a child of God, you are now a fisherman.
Second, you don’t always know what you will catch.  In the process of fishing, you will catch all kinds of fish.  To the fisherman this added to his workload.  He had to sort through all the fish drawn in his net and those that were unfit to eat he would either throw it back or throw it away.  Jesus even taught a parable about this in Matthew 13:47-52 where He described the kingdom of heaven as a dragnet cast into the sea that gathered some of every kind.    When the net was drawn to shore, they kept the good and threw away the bad.  He used this analogy to give understanding to the judgment when God would separate the righteous from the wicked. 
As fishers of men, we will not always catch the “good fish”.  Sometimes, we cast our nets and the bad fish are there.  Bad fish would be the unrighteous who reject God’s word.  Sometimes their condition becomes evident immediately.  At other times, their fruit does not become known until later.  But as fishers of men, our responsibility is not to determine who is worthy of trying to catch and who is not.  Our duty is simply to fish.  Paul wrote to the church at Corinth saying, “I planted, Apollos watered, but God gave the increase” (1 Corinthians 3:6).
It is my hope that in this article the importance of fishing for men has been shown.  It is a responsibility each of us has and it is not a task to be taken lightly.  Peter, Andrew, James and John saw the importance of their new trade and acted immediately.  In our next article we will take note of some more lessons we can learn from references to fishing in the Bible.  Until then, let me urge you to continue to fish with a real purpose.  Think about it. 

FISHING WITH A PURPOSE - 2
 During the time of Jesus, fishing was an important industry.  It was a major source of food in many regions back then, just as today.   Jesus was familiar with this trade being in a region that depended on it as a source of revenue.  His first disciples were fishermen and He often taught from their boats.  On at least two occasions, He miraculously feed large multitudes with just a few fish and some bread.  He often made analogy to fishing in His teachings and He utilized some of its resources to accomplish His mission.  Perhaps one of His greatest analogies was the call of His apostles: Peter, Andrew, James and John.  As they were mending their nets, Jesus called them to follow Him and He said to them, “From now on you will catch men”.  This was a reference to their taking the gospel to a world that desperately needed it.
In our first article, we made notice of two important analogies between fishing and catching men: First, it was a task for the common man.  Second, when fishing, you don’t always know what you will catch, whether it be good or bad.  In this article, we want to notice some more lessons we can learn by comparing fishing with catching men.
Catching men takes work – it is not always an easy task.  Fishing as a profession has always been a task that we would define as manual labor.  It requires one with strength and stamina.  In the Bible we read of the disciples struggling to pull in their nets and toiling all night long (Luke 5:5-8).  Reaching the lost, like fishing, is not always easy and at times requires great effort.  Sometimes, to win a soul requires extensive time and discussions.  It may that the souls dearest to us take years of hard work seeking opportunities, praying, studying for and with them as well as other things.  Sometimes, there is the frustration we face as the gospel is constantly rejected.  But we keep working at it knowing that what God expects us to do is fish (cf. 1 Corinthians 3:6).  Consider the efforts of the church of the first century.  At times they traveled many miles to teach someone and usually they were uncertain of the outcome.  They persevered, often not knowing if there would be grave consequences in attempting to teach someone.  More often than not, they were met with rejection which can become very discouraging.    There were times when fisher men worked all night and caught nothing (Lk. 5:5).  The same is true with us.  Let’s face it, most of the world is not interested in the truth.  We may go a long time without teaching anyone because we can’t find them.  In the Bible we read of such discouragement, even in Elijah (1 Kings 19:14).  But just because we have an unsuccessful night does not mean we need to give up and quit.   Just keep working and in time your efforts will pay off.
Our net is the word of God.  The most frequently mentioned method of fishing in the Bible was with a net.  When Jesus found and called his first disciples, they were on shore mending their nets (Mark 1:19).  As fishermen they knew the importance of keeping their net in good shape – it was the success of their business.  As we fish for men we do so with the net God has given us – His word.  We will cast that net into the waters of this world and hopefully catch someone.  Just like fishermen, we need to take care of that net.  In fact the better we maintain our nets and the more we use them will determine how successful we will be.  What this means is that we have to USE God’s word to teach others.  Paul described the gospel of Christ as “the power of God to salvation to everyone who believes, to the Jew first and also for the Greek.” (Romans 1:16).  The Hebrew writer describes the word as living and active and sharper than a two edged sword (Hebrews 4:12). 
Fishing nets needed mending.  While God’s word does not need to be repaired as such, we need to maintain it in our lives and prepare it for our next fishing expedition.  1Peter 3:15 says we should always be ready to give an answer to everyone who asks us a reason for the hope that is in us.  Constant study and use is how we keep God’s word alive and ready to catch men.
Also, like anything else, success comes with knowledge.  There are many things fishermen need to know if they are to be successful in their business.  They need to know what type of fish they are trying to catch and when the best time to catch them is.  An understanding of what affect the weather has, where to catch them and many other things will greatly affect their success.  Likewise, as Christians, the more we know about catching men, the more successful we will be.  There are many ways to learn what to do.  First you have to commit to studying God’s word (2 Timothy 2:15).  Make arrangements and go with those who are experienced and listen to their advice.  And go out and get to work.  Truly, when it comes to catching men, experience is the best tool.  Understand that as a novice, you will make mistakes and you will supposedly waste time (or so it will seem).  BUT, if you persist and continue to learn, in time you will become more successful.  And then you can become the teacher and share it with others (2 Timothy 2:2).
Finally, Mark 1:18, 20 tells us that “immediately, they left their nets and followed Him.”  It is evident that these men knew Jesus before and probably they were making plans for this very occasion.  But when it finally came around, they wasted no time and immediately answered their call, never looking back.  Our call to catch men is one that needs immediate attention.  The longer we put off trying to reach others, the more danger there is of one getting away.  As you study the New Testament you see a sense of urgency as they went everywhere preaching the word (Acts 8:4).  Paul said, “Knowing therefore the terror of the Lord, we persuade men.” (2 Corinthians 5:11).  In chapter 6:2 he said, “Behold, now is the acceptable time; behold now is the day of salvation”.  Jesus said to His disciples, “Lift up your eyes and look at the fields, for they are already white for harvest” (John 4:35).  Truly when it comes to catching men, we need to get to work right now and keep at it until we are called home.
Thus we can see some lessons we can learn from fishing in the Bible.  Are you fishing for men?


http://www.roseavenue.org/fishing_with_a_purpose.htm

ARTWORK:(painting) Salvador Dali


tonal portrait painting of Salvador Dali (1904 - 89 ) surrealist and one of my all time favorite artists

Salvador Dalí’s experience of religion was divided from early on. His mother’s family were devout Catholics, but his father was a staunch atheist who sent him to the local state school to spare his son a Catholic education. The young Dalí shared his father’s aversion. In 1929-1930 his films Un Chien andalou and L’Age d’or, made with Luis Bunuel, included scandalous portrayals of the priesthood as corrupt, ignorant and hypocritical. In 1929 Dalí also drew a blasphemous image of Christ and the sacred heart, which he entitled Sometimes I spit with pleasure on the Portrait of my Mother (The Sacred Heart) to the anger and distress of his family.

Although he once blamed Catholicism for his profound sense of guilt about sex, Dalí’s attitude began shifting in America in the 1940s. He came to believe in the possibility of a fusion between modern science, the mystery of religion and the traditions of classicism and began painting his wife Gala as a Renaissance Madonna. In 1949 Dalí attended a private audience with Pope Pius XII. He announced himself a Catholic the next year, or (as he  put  it) a ‘Catholic without faith’. Dalí spent many of his later years reconciling Catholic dogma with science in ever-larger paintings. Afraid of death, Dalí hoped to avoid it altogether. Failing this he died with last rites in 1989.







Essay
Surrealism: Joan Miro and Salvador Dali

Between the world wars I and II surrealist art and literature flourished as artists attempted to portray, express or interpret the workings of the subconsious mind. Two artists in particular , Salvador Dali and Joan Miro ,   developed  two approaches to surrealism . Miro was considered to be the purist approach by the surrealists .  

In 1924 Andre Breton officially founded the surrealism movement when he wrote  Le Manifeste du Surrealisme(The Surrealist Manifesto) and established the  Bureau of Surrealist Research.  In it, he defined Surrealism as:

 "Psychic automatism in its pure state, by which one proposes to express - verbally, by means of the written word, or in any other manner - the actual functioning of thought. Dictation of thought in the absence of all control exercised by reason, outside of all aesthetic and moral preoccupation." 

 The surrealist group aimed to revolutionize human experience, in its personal, cultural, social, and political aspects. Sigmund Freud's work with free association, dream analysis, and the unconscious was of utmost importance to the Surrealists in developing methods to liberate imagination. They embraced idiosyncrasy, while rejecting the idea of an underlying madness and set out to offend bourgeois society.


Breton initially doubted that visual arts could even be useful in the Surrealist movement . In 1924 Joan Miro (April 20, 1893 – December 25, 1983) was among the first to develop automatic drawing as a way to undo  established techniques.  In painting , Miro and Andre Masson, represented the beginning of Surrealism as an art movement. 
Through the mid-1920s Miro developed the pictorial sign language which would be central throughout the rest of his career. Paintings where abstracted pictorial signs, rather than realistic representations with the use of flat shapes and lines to suggest the subject . The Tilled Field , Miro's first surrealist masterpiece ,  showed this transition to a more individual style with nationalistic qualities.  

The Tilled Field , oil on canvas , 66 x 92.7 cm , 1923 Joan Miro



In 1924 the symbolic and poetic nature of Miro’s work   lost the cluttered chaotic lack of focus as seen in The birth of the world .    He experimented with collage and the process of painting within his work so as to reject the framing that traditional painting provided.

The birth of the world , Oil on canvas,250.8 x 200 cm , 1925 Joan Miro

The two main elements to Miro's work were biomorphism and automatism.
Biomorphism: the forms suggest a relationship to biological or organic forms found in nature but they do not look like a realistic or naturalistic imitation of anything we might see in the real world 
Automatism: techniques which suggest that the artwork has bypassed conscious or rational thought; that the forms and images were generated by the subconscious without the artist's control. 
Between 1940 and 1941, Miro created works revealing a shifting focus to the subjects of women, birds, and the moon, which would dominate his iconography for much of the rest of his career. One work that reflects this shift revolving around celestial symbolism is The Beautiful Bird Revealing the Unknown to a Pair of Lovers. It was apart of the Constellations series which  earned the artist praise from Andre Breton.

The Beautiful Bird Revealing the Unknown to a Pair of Lovers , Gouache, oil wash, and charcoal on paper , 45.7 x 38.1 cm , 1941 Joan Miro



Salvador Dali's approach to surrealism from the 1930's onward was vastly different to Miro's. Dalí devoured influences from many styles of art, a trend that would continue throughout his life ,  ranging from the most academically classic, to the most cutting-edge avant garde. His use of Naturalistic Surrealism stylistically preferred the unsettling effects from juxtaposing unexpected, dissociated but identifiable elements. 
Dali  used symbolism extensively in his work that can be seen in Dream Caused by the Flight of a Bee around a Pomegranate a Second Before Awakening. The elephant is a recurring image in Dalí's works along with the egg and soft clocks. He connects the egg to the prenatal and intrauterine, thus using it to symbolize hope and love.
The general interpretation of the work is that the soft watches are a rejection of the assumption that time is rigid or deterministic. This suggest Einstein's theory that time is relative and not fixed.. This idea is supported by other images in the work, such as the wide expanding landscape, and other limp watches shown being devoured by ants.


Dream Caused by the Flight of a Bee around a Pomegranate a Second Before Awakening , Oil on canvas , 51 cm × 40.5 cm , 1944 Salvador Dali


Various other animals appear throughout his work as well. Ants point to death, decay, and immense sexual desire, the snail is connected to the human head and locusts are a symbol of waste and fear.

The Surrealist Manifesto of 1924 had developed out of the Dada activities during world war I ,  believing that excessive rational thought and bourgeois values had brought the conflict of the war upon the world.

Miro's interest in the assassination of painting is derived from a distain of bourgeois art, which he believed was used as a way to promote propaganda and cultural identity among the wealthy. He is quoted as saying "I will break their guitar," referring to Picasso's paintings, with the intent to attack the popularity and appropriation of Picasso's art by politics.
Thoughout the 1930s , surrealism reached a golden age and became more visible to the public at large. Dali's earlier style had been more firmly rooted in automatism and the use of non-traditional materials, but his style changed by the to the naturalistic , striking and bizarre images he is best known for  . It is in this period that Salvador Dalí and Rene Magritte have created the most widely recognized images of the movement. 


The persistence of memory , Oil on canvas , 24 cm × 33 cm , 1931 Salvador Dali


Liquid shapes became the trademark of Dalí, particularly in one of his most recognizable works The Persistence of Memory, which features the image of watches that sag as if they were melting. 
  Dali's eccentric grandiose manner and attention-grabbing public actions sometimes drew more attention than his artwork, to the dismay of his fellow surrealists.
When Dalí met Sigmund Freud in 1939 ,  Andre Breton coined the derogatory nickname "Avida Dollars", an anagram for "Salvador Dalí", which has been translated as "eager for dollars". This was a derisive reference to the increasing commercialization of Dalí's work, and the perception that Dalí sought self-aggrandizement through fame and fortune. Some surrealists henceforth spoke of Dalí in the past tense, as if he were dead.

During the 1930s, the Surrealist idea spread as both an artistic idea and as an ideology of political change. Politically, Surrealism was Trotskyist, communist, or anarchist. The split from Dada has been characterised as a split between anarchists and communists, with the Surrealists as left communist. Breton's followers, along with the Communist Party, were working for the "liberation of man." 

Miro's surrealist origins evolved out of "repression" much like all Spanish surrealist and magic realist work, especially because of his Catalan ethnicity, which was subject to special persecution by the Franco regime. With the outbreak of the Spanish Civil War(1936-39)  many artists took sides or went into exile. Miro had returned to Spain in the summers until this point but once the war began, he was unable to return home. Miro had previously preferred to stay away from explicitly political commentary in his work, but his commission to paint The Reaper for the Spanish Republican Pavilion took on a politically charged meaning.
In 1939 Miro relocated to Varengeville (Normandy) with the German invasion of France looming. A year later as the Germans invaded Paris Miro fled to Spain for the duration of the Vichy Regime’s rule.
Dalí supported capitalism and the fascist dictatorship of Francisco Franco but cannot be said to represent a trend in Surrealism in this respect.  Dalí's insisted that surrealism could exist in an apolitical context and refused to explicitly denounce fascism, this ambiguous position on the relationship between politics and art . Andre Breton's accusations in regards to this and other factors ( likely Dali's self-aggrandising stunts and commercialism )  led to Dalí being subjected to a "trial", in which he was formally expelled from the Surrealist group in 1934. To this, Dalí retorted, "I myself am surrealism"
From 1949 onwards, Dalí spent his remaining years back in Spain. His acceptance and embracing of Franco's dictatorship were strongly disapproved of by other Spanish artists and intellectuals who stayed in exile.


The organized Breton Surrealist movement in Europe dissolved  as World War II tore through Europe. Breton, Dalí, Ernst, Masson, and others, left Europe for New York. It is here that Surrealism found renewal and  continued to effect developments in art .  Salvador Dalí has been cited as major inspiration from many modern artists, such as Damien Hirst, Noel Fielding, Jeff Koons and most other modern surrealists. Miro has been a significant influence on late 20th-century art, in particular the American abstract expressionist artists such as Motherwell, Calder, Gorky, Pollock, Matta and Rothko, while his lyrical abstractions and color field paintings were precursors of that style by artists such as Frankenthaler, Olitski and Louis and others. His work has  influenced recent painters such as Julian Hatton. 
Students to this day , such as Tristan Griffin , cite Dali and to lessor extent Miro as a major influence in their artistic development. It is the later works and writings of these two artists that are of interest to Griffin. Dali sought to synthesize Christian iconography, natural science and mathematics by using an expansive artistic repertoire including film, sculpture and painting. Where as Miro , who actively sought to experiment with other artistic styles ,   wrote his most radical and least known ideas, exploring the possibilities of gas sculpture , four-dimensional painting and precursors to Total art and experimentalism.

A surrealist could be all things , as long as they conformed to Breton's control. Salvador Dali was unable to do this due to his self-grandising behavior, political beliefs, naturalistic style and  embracing of bourgeois society.
Joan Miro's approach to surrealism can be considered purist. Miro's automatic and biomorphic work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike. His distain of bourgeois art and his attacks on the popularity and appropriation of art are in keeping with the surrealists ideals.  And most importantly , in a movement founded and controlled by Breton , he described Joan Miro as "the most Surrealist of us all."














Internet
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Heilbrunn Timeline of Art History : Surrealism  , Metmuseum.org, viewed 2013,
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Surrealism – Art Histy 101 basics  , Arthistory.About.com, viewed 2013,
http://arthistory.about.com/od/modernarthistory/a/Surrealism-Art-History-101-Basics.htm

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http://www.theartstory.org/movement-surrealism.htm

The Tilled Field , wikipaintings.org , viewed 2013 , http://www.wikipaintings.org/en/joan-miro/the-tilled-field-1924

The Tilled Field   http://www.guggenheim.org/new-york/collections/collection-online/artwork/2934

Birth of Liquid Desires , guggenheim.org, viewed 2013  http://www.guggenheim.org/new-york/collections/collection-online/artwork/935 

The Birth of the World , moma.org , viewed 2013 , http://www.moma.org/collection/object.php?object_id=79321

The Beautiful Bird Revealing the Unknown to a Pair of Lovers (from the Constellation series) , moma.org , viewed 2013  http://www.moma.org/collection/object.php?object_id=33050

THE COLLECTION , moma.org , viewed 2013, http://www.moma.org/collection/object.php?object_id=33050

Surrealism , thefreedictionary.com  , viewed 2013 , http://www.thefreedictionary.com/surrealism

Surrealism   , Wikipedia.org, viewed 2013,http://en.wikipedia.org/wiki/Surrealism#Surrealist_Manifesto
Salvador Dali   , Wikipedia.org, viewed 2013,http://en.wikipedia.org/wiki/Salvador_Dalí
Joan Miro   , Wikipedia.org, viewed 2013,http://en.wikipedia.org/wiki/Joan_Miró
Andre Breton   , Wikipedia.org, viewed 2013,http://en.wikipedia.org/wiki/André_Breton
The Persistence of Memory   , Wikipedia.org, viewed 2013,http://en.wikipedia.org/wiki/The_Persistence_of_Memory
Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening , Wikipedia.org , viewed 2013 , http://en.wikipedia.org/wiki/Dream_Caused_by_the_Flight_of_a_Bee_Around_a_Pomegranate_a_Second_Before_Awakening

Books and articles
McDonald,J  , 2011 , Dark illusion   , australia
Krausse , A ,  1995 , 'The story of painting :the renaissance to the present' , h.f.ulliman , Germany
Kemp, M , 2000 , ' The Oxford history of western art' ,Oxford university press inc,  United States
Readers Digest , 1965 , 'Great painters and great paintings' The readers digest association inc , United states
Descharnes, R , 2000 , 'Salador Dali. The paintigns',  Taschen , Germany

DVD and TV
'The Challenge : A tribute to Modern art' , 1977  , DVD , Quantum Leap , United States
'The Threshold of Liberty' ,1980  , DVD , BBC , England